London Drugs has been a proud supporter of the Capture Photography Festival in Vancouver since its inauguration in 2013. The festival features both local and international lens-based artistic talent through high-profile gallery exhibits throughout the city of Vancouver. For the second year in a row, London Drugs printed the festival’s entire National Pictures of the Year Awards exhibit, displayed at Vancouver’s Pendulum Gallery.
London Drugs Photolab Technicians worked closely with the News Photographers Association of Canada (NPAC) to print the exhibit, which features finalists for the largest photojournalism competition in Canada. Thirteen categories are represented, including news, sports and social issues.
London Drugs Photolab Technicians collaborated with NPAC and the 2016 National Pictures of the Year coordinator Ric Ernst to print each of the finalist’s photos in gallery quality, to each photographer’s specifications.
“This is our second year having the London Drugs Photolab print our exhibit for the Capture Photography Festival and once again the quality of our exhibition prints are superb. I have to admit, the first year I was somewhat skeptical about London Drugs printing our images but was blown away by the quality of work they produced for us. I had no doubts this year and was not disappointed,” says Ernst.
Among the photos printed by the London Drugs Photolab was an image of CrossFit athlete Lindsay Hilton, captured in her element by Canadian photographer Darren Calabrese, as part of a series he was working on for ESPN. The photo was selected as a Picture Story Feature finalist for the National Pictures of the Year Awards.
“The project with Lindsay Hilton began after I had seen a local story about one of her workout videos going viral. That story was a straightforward news item, but I was interested in learning more about her as a person rather than just an athlete,” explains Calabrese. “I shot the series over a span of five or six months. At first, I rarely shot any pictures. I would show up at the gym with just one body and a lens, but would just chat with her and the coach/gym owner. I would help with the weights sometimes and every once in a while I would jump in and try the same workout or exercise out of curiosity.”
Ernst appreciates the trust that the photojournalists, including Calabrese, put in him and the London Drugs Photolab team to ensure the photos printed are as true to the original as possible. The goal is to maintain each personal art aesthetic which helps to convey the photo’s story.
“The most important part of printing our images is getting the tonal qualities and colour balance correct and as close to what the photographer achieved with the original file. The quality of the paper is important and the stock London Drugs Photolab used for our prints was premium,” says Ernst.
Ernst believes the Photolab Technicians’ own passion for photography is what makes working with London Drugs an exceptional experience. “They know what we expect and they speak the same language which makes it very easy to communicate our needs.”
London Drugs Photolab Technician John Goldsmith, who worked with Ernst to print the exhibit, used London Drugs’ new Epson P-9000 printer for many of the finalists’ photos. Authentic Epson inks will provide a lifetime of enjoyment, with an archival stability of 200 years. These new printers can now be found in every London Drugs Photolab, and will be used to print customers’ photos in gallery-quality, whether it’s for an exhibit or to hang on their walls at home.