Capturing the Summer Landscape

From day trips to camping trips, summer is the time to get away from it all. And everywhere you venture, there will be a gorgeous landscape that begs to be photographed.

Photographing landscapes is tricky. When you hike up to the lookout point and take it all in, you are looking at a vast three dimensional space. Translating that sweeping vista into a rectangular, 2-D photo often results in an underwhelming shot, flat and uninteresting, without the breathtaking quality of the original.

The key to vivid landscape shots is composition. Every photograph is made up of shapes and lines, focal points, backgrounds, and foregrounds. Our eyes don’t consciously register these elements; instead, the photo’s composition forms a road map to the image, telling our eyes where to look next.

Here are some simple tips to get you thinking about composition, so you can take more dynamic landscape photographs this summer.

  1. Find a focal point. In real life, a sweeping landscape is mesmerizing because it fills your visual field—everywhere you look, your eyes drink in vast beauty. In a photograph, your eyes need a place to rest. Find an interesting focal point that stands out: a boat on the water, a twisted tree trunk, a red barn in a field of waving wheat, anything that catches the eye.
  2. Eliminate the details. Once you have your focal point, squint your eyes a little. The human eye searches for detail, so the larger elements of colour and shape can escape you. Look for shapes, lines and blocks of colour. How do these elements relate to your focal point? Move your camera around so the focal point is located in different spots within the frame. Where is it the most interesting?
  3. The rule of thirds. Instead of placing the focal point smack dab in the middle of the frame, consider the rule of thirds. Imagine a tic-tac-toe grid over your image. The four intersections of the grid are the spots where our eyes naturally rest. Try placing your focal point on one of these intersections—this simple trick makes the image more visually dynamic.
  4. Look for lines. A line can be anything—a winding road, a stream, or a shoreline. Visually, lines guide the eyes and tell them where to go. When you are framing your shot, think of how your line relates to your focal point—does it lead to it? Does it distract? Play around with framing until your elements seem balanced.
  5. Look to the horizon The horizon is a natural line that needs a little special attention. Make sure the horizon is level in your shot—you can fix this with editing software after the fact, but it is simpler to line up the horizon first. Also, remember the rule of thirds. Your photo will look better if your horizon is along the top third or the bottom third of the photo. Shoot it both ways, and see which you prefer.
  6. Have fun with foreground The foreground is an important part of your landscape photo—it grounds your image and provides a context for the rest of the shot. Try using a wide angle lens and getting close to your foreground. A wide angle lens distorts perspective, so objects that are closer to the lens appear much larger, proportionally, than items farther away. Shooting a landscape through a field of wildflowers would make the wildflowers appear bigger than the trees in the distance, emphasizing the distance between those objects.
  7. Dawn and Dusk: The Golden Hours The golden, angled light of dawn and dusk can add drama to nearly any landscape. If possible, plan your photo session so you can make the most of this gorgeous natural light.

The beauty of digital photography is that you can play with composition by shooting dozens—even hundreds—of frames. Experiment with different focal points, different framing, different foregrounds, and see what works best. As you begin to consider the elements of composition, your photography will begin to capture the feeling and mood of looking at the landscape with your own eyes.

Photobooks: Your Summer Travelogues
Photobooks are the ideal way to tell your summer stories in pictures. Inexpensive softcover books are a popular choice for sharing travel snapshots—many customers put together a book for each summer of camping trips, or devote an entire book to a special vacation. Our larger hardcover books are ideal for displaying your most beautiful landscape shots.

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The Victoria Day long weekend is the kickoff to the fifteen weeks of Canadian summer, long days of camping, hiking, boating, playing ball, and enjoying the sun and warmth. This is the time of year Canadians wait for, the time of year when we drag out the tents and canoes, snorkels and ball gloves so we can make the most of the glorious sun.

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The Art of the Extreme Close-Up

Strong close-up photographs can deliver a vivid, dramatic punch. This is a spectacular technique to explore the colour of spring—brilliant red tulips, fresh green leaves, and sunny daffodils. Macro shots can also reflect quiet and fragility—a dew drop on a blade of grass, the delicate ruffles of a cherry blossom, or a spring bulb breaking through the soil.

Photographing the world at very close range requires little more than a good quality lens and a strong light source. By definition, macro lenses allow focusing down to life-size. To visualize this, imagine photographing a ladybug with a macro lens on a traditional film camera. A true macro lens would give you a 35 mm film negative with a life-size image of the ladybug. This image would of course appear much larger once it is printed and displayed.

A true macro lens can shoot to a 1:1 life-sized ratio, and some can shoot even closer. These lenses have a less curved surface than a traditional lens—this design helps maintain edge-to-edge sharpness even at the widest apertures.

The flatter lens surface means a flatter plane of focus, too. Using a smaller aperture can help counteract this effect, but sometimes the flatter plane, with the accompanying blur in the foreground and background, can be used to dramatic effect.

Macro lenses come in a variety of focal lengths: mid-range are 100-105 mm, and longer are 180-200 mm. The longer range allows some distance between you and your subject, which has a few advantages. With macro shooting, light is a factor—shooting something at a very close distance means you or your camera may block out some of the surrounding light. Longer range focal lengths are better for photographing subjects that spook, like bugs and butterflies. Image stabilization features are available on some lenses, which can help when photographing something very close up.

With the advent of digital photography, many standard lenses, while not macro in the truest sense, have very close-focusing ability which can mimic a macro shot. For the amateur, this is an excellent way to try your hand at macro photography. Take advantage of the brighter spring sun and zoom in. As you become more proficient in controlling aperture and focus, a true macro lens will be the next step for even more stunning photographs.

Macro lenses are available at London Drugs

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If you’re looking for versatility, image quality and simplicity, DSLR cameras are a perfect choice.

The wide range of lenses available with DSLRs let you explore any type of photography. Accessory flashes can also be added to achieve great shots in dim lighting, even at further distances! DSLR models with large image sensors deliver greater resolution and sharpness. Focusing and exposure systems are more accurate too, so you’ll capture more detail in shadow and highlight areas.

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